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Ghostly Historical Knowledge: SCT’s The Journal of Ben Uchida: Citizen 13559
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Playful Rebellion in the Era of Trump: AJnC’s Young Manic/I Wanted to be on Broadway
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Politics Again, Politics Otherwise: Lingering Questions from Frost/Nixon
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Intersections: A Celebration of Seattle Performance
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Native American Identity in Jihae Park's Peerless
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The Nance: Queer Performance in Unsafe Spaces
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Exploring the Politics of Fear: The Crucible and Eight Abigails
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The World of Extreme Happiness
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Why Theatre, Why Now? Latino Theatre Projects and Teatro Útil
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Claims to Queer Monstrosity in Beware the Terror of Gaylord Manor
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Cherdonna’s A Doll’s House: The Plural and Irresolute Nature of Contemporary Feminism
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Barbecue: An Exploration of Believability, Race, and Drug Abuse
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Celebrating Warrior Women and Seattle’s South Asian Diaspora: Chitrangada
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Orlando: Fluidity in Gender, Desire, and Time
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Performing Immigration (sort of): Donald Byrd’s ‘The Immigrants’
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Problems of Race, Class and Labor reign in The Cherry Orchard
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The Breeches Role: Bring Down the House, Parts 1 & 2
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Christmastown, A Holiday Noir: Sneaky Feminist Christmas
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The Untitled Play About Art School: Art is the Symptom
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It's Not Too Late: Take a Good, Hard, Long Look At Yourself.
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Lost Girls: Paying debts to monstrous mothers, murdered bluestockings, and Sallie Mae
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STAGING 'RACE' IN SEATTLE: Paternalism and Its Discontents
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Bad Apples: Who Let This Happen?
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Revolt. She Said. Revolt Again: Feminism for White Women