Anthony Reynolds

Anthony+Reynolds.jpeg

Anthony Reynolds is a junior at the University of Washington studying Molecular Biology.

He has for many years participated in the creation of drama, serving as a choreographer, stage manager and director. Before moving to Seattle, Anthony lived in Tampa, FL where he choreographed and directed productions that were presented at the Annual Florida State Thespians Festival. Since moving to Seattle, Anthony has become greatly interested in how production companies and crews create a diversified season and production. In particular, how people of color are represented and used on the stage.

Critiques

Critiques
Discomforting the Audience: Racial Satire in Artswest's An Octoroon</em>
Steph Hanksinon, Laura Chrisman, Anthony Reynolds, Will Darling, Kate Forster
Discomforting the Audience: Racial Satire in Artswest's An Octoroon
Steph Hanksinon, Laura Chrisman, Anthony Reynolds, Will Darling, Kate Forster

Steph Hankinson and the review team examine how Brandon Jacobs-Jenkins's An Octoroon rides the line between critiquing melodrama and exploiting its emotional devices.

Steph Hanksinon, Laura Chrisman, Anthony Reynolds, Will Darling, Kate Forster
Intersections: A Celebration of Seattle Performance - Comedy, Representation, and Intersectionality!
Liz Janssen, Steph Hanksinon, Anthony Reynolds, Kate Forster
Intersections: A Celebration of Seattle Performance - Comedy, Representation, and Intersectionality!
Liz Janssen, Steph Hanksinon, Anthony Reynolds, Kate Forster

The DeConstruct team interviews Intersections Festival curators Natasha Ransom, Kinzie Shaw, Jekeva Philips to discuss opportunities to showcase the diversity of the Seattle performance scene.

Liz Janssen, Steph Hanksinon, Anthony Reynolds, Kate Forster
Seattle Repertory Theatre Re-tells the Black Experience in Two Trains Running</em>
Anthony Reynolds, Laura Chrisman, Liz Janssen, Steph Hanksinon
Seattle Repertory Theatre Re-tells the Black Experience in Two Trains Running
Anthony Reynolds, Laura Chrisman, Liz Janssen, Steph Hanksinon

Anthony Reynolds and the review team highlight how Juliette Carrillo’s production of August Wilson’s Two Trains Running emphasizes the diverse and positive history of the shared Black experience “without the influence of white perspective to heavily mask their stories.”

Anthony Reynolds, Laura Chrisman, Liz Janssen, Steph Hanksinon
Queer Performance in Unsafe Spaces: The Nance Looks Back at New York Theater's Censorious Past
Liz Janssen, Steph Hanksinon, Anthony Reynolds
Queer Performance in Unsafe Spaces: The Nance Looks Back at New York Theater's Censorious Past
Liz Janssen, Steph Hanksinon, Anthony Reynolds

Liz Janssen and the review team provide much-needed additional historical context for ArtsWest's thought-provoking and well-performed production of The Nance.

Liz Janssen, Steph Hanksinon, Anthony Reynolds
Barbecue: An Exploration of Believability, Race, and Drug Abuse
Anthony Reynolds, Steph Hanksinon, Emily George, Laura Chrisman
Barbecue: An Exploration of Believability, Race, and Drug Abuse
Anthony Reynolds, Steph Hanksinon, Emily George, Laura Chrisman

Anthony Reynolds and the review team examine Intiman's Barbecue, an engrossing discussion of what is reality and how it is manufactured.

Anthony Reynolds, Steph Hanksinon, Emily George, Laura Chrisman
Orlando: Fluidity in Gender, Desire, and Time
Steph Hanksinon, Emily George, Lydia Herbling, Anthony Reynolds
Orlando: Fluidity in Gender, Desire, and Time
Steph Hanksinon, Emily George, Lydia Herbling, Anthony Reynolds

Steph Hankinson and the review team recognize the passion and dedication of UW Drama's Orlando (adaptation by Sarah Ruhl) and how its thematic nuance of Virginia Woolf's classic on gender and desire.

Steph Hanksinon, Emily George, Lydia Herbling, Anthony Reynolds
Previous

Will Darling
Next

Stevi Costa