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      <image:caption>Photo by Jeff Carpenter</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/revolt-she-said-revolt-again-feminism-for-white-women</loc>
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      <image:title>Critiques - Revolt. She said. Revolt Again&lt;/em&gt;: Feminism for White Women</image:title>
      <image:caption>Photo by Chris Bennion</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/lost-girls-paying-debt-monstrous-mothers-murdered-bluestockings-and-sallie-mae</loc>
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      <image:title>Critiques - The Lost Girls: Paying Debt to Monstrous Mothers, Murdered Bluestockings, and Sallie Mae</image:title>
      <image:caption>Photo by Annie Nance // Poster Artwork by Corinne Magin</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/staging-race-in-seattle-paternalism-and-its-discontent</loc>
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    <lastmod>2024-05-05</lastmod>
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      <image:title>Critiques - Staging "Race" in Seattle, 2016: Paternalism and Its Discontents</image:title>
      <image:caption>Betroffenheit, Kidd Pivot//Electric Company Theatre; Wendy D Photography</image:caption>
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      <image:title>Critiques - Staging "Race" in Seattle, 2016: Paternalism and Its Discontents</image:title>
      <image:caption>The Royale, ACT Theatre; Photo by Dawn Schaefer</image:caption>
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      <image:title>Critiques - Staging "Race" in Seattle, 2016: Paternalism and Its Discontents</image:title>
      <image:caption>The Wedgwood medallion, Josiah Wedgwood, 1787</image:caption>
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      <image:title>Critiques - Staging "Race" in Seattle, 2016: Paternalism and Its Discontents</image:title>
      <image:caption>The Tempest, New City Theater; Photo by Elena Kazanjian</image:caption>
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      <image:title>Critiques - Staging "Race" in Seattle, 2016: Paternalism and Its Discontents</image:title>
      <image:caption>Disgraced, Seattle Repertory Theatre; Photo by Liz Lauren</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/its-not-too-late-take-a-good-hard-long-look-at-yourself</loc>
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    <lastmod>2024-05-05</lastmod>
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      <image:title>Critiques - It's Not Too Late: Take a Good, Hard, Long Look at Yourself</image:title>
      <image:caption>Screen grab of It’s Too Late, courtesy of OnTheBoards.tv</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/christmastown-a-holiday-noir-sneaky-feminist-christmas</loc>
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    <priority>0.5</priority>
    <lastmod>2024-05-05</lastmod>
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      <image:title>Critiques - Christmastown, A Holiday Noir&lt;/em&gt;: Sneaky Feminist Christmas</image:title>
      <image:caption>Photo by Truman Buffet // Thumbnail Photo by John Cornicello</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/the-untitled-play-about-art-school-art-is-the-symptom</loc>
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    <priority>0.5</priority>
    <lastmod>2024-05-05</lastmod>
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      <image:caption>Photos by Chris Leher</image:caption>
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    <lastmod>2024-05-05</lastmod>
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      <image:title>Critiques - The Breeches Role: Bring Down the House Parts 1 &amp;amp; 2&lt;/em&gt;</image:title>
      <image:caption>Photos by John Ulman</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/problems-of-race-class-and-labor-reign-in-the-cherry-orchard</loc>
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    <lastmod>2024-05-05</lastmod>
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      <image:title>Critiques - Problems of Race, Class and Labor Reign in The Cherry Orchard&lt;/em&gt;</image:title>
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    <loc>https://www.deconstructcollective.com/critiques/performing-immigration-sort-of-donald-byrds-the-immigrants</loc>
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    <lastmod>2024-05-05</lastmod>
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      <image:title>Critiques - Performing Immigration (sort of): Donald Byrd’s ‘The Immigrants’</image:title>
      <image:caption>Photo by Jazzy Photo</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/orlando-fluidity-in-gender-desire-and-time</loc>
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    <priority>0.5</priority>
    <lastmod>2024-05-05</lastmod>
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      <image:title>Critiques - Orlando: Fluidity in Gender, Desire, and Time</image:title>
      <image:caption>Photo by Mike Hipple</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/cherdonnas-a-doll-house-the-plural-and-irresolute-nature-of-contemporary-feminism</loc>
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    <lastmod>2024-05-05</lastmod>
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      <image:title>Critiques - Cherdonna's A Doll's House&lt;/em&gt;: The Plural and Irresolute Nature of Contemporary Feminism</image:title>
      <image:caption>All photos by Jeff Carpenter</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/celebrating-warrior-women-and-seattles-south-asian-diaspora-chitrangada</loc>
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    <lastmod>2024-05-05</lastmod>
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      <image:title>Critiques - Celebrating Warrior Women and Seattle's South Asian Diaspora: Chitrangada&lt;/em&gt;</image:title>
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    <loc>https://www.deconstructcollective.com/critiques/why-does-seattles-regional-and-fringe-theater-scene-ignore-trans-gender-noncomforing-people</loc>
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    <lastmod>2024-05-05</lastmod>
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      <image:title>Critiques - Why Does Seattle's Regional and Fringe Theater Scene Ignore Trans/Gender Nonconforming People?</image:title>
      <image:caption>Photo by Ebo Barton &amp; Ashley Nieves</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/barbecue-an-exploration-of-believability-race-and-drug-abuse</loc>
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    <lastmod>2024-05-05</lastmod>
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      <image:title>Critiques - Barbecue: An Exploration of Believability, Race, and Drug Abuse</image:title>
      <image:caption>Photos by Naomi Ishisaka</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/why-theatre-why-now-latino-theatre-projects-and-teatro-util</loc>
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    <priority>0.5</priority>
    <lastmod>2024-05-05</lastmod>
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      <image:title>Critiques - Why Theatre? Why Now? Latino Theatre Projects and Teatro Útil</image:title>
      <image:caption>Photos by Michael Brunk</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/claims-to-queer-monstrosity-in-beware-the-terror-of-gaylord-manor</loc>
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    <lastmod>2024-05-05</lastmod>
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      <image:title>Critiques - Claims to Queer Monstrosity in Beware the Terror of Gaylord Manor&lt;/em&gt;</image:title>
      <image:caption>Photos courtesy of ACT Theatre</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/exploring-the-politics-of-fear-the-crucible-and-eight-abigails</loc>
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    <priority>0.5</priority>
    <lastmod>2024-05-05</lastmod>
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      <image:title>Critiques - Exploring the Politics of Fear: The Crucible&lt;/em&gt; and Eight Abigails&lt;/em&gt;</image:title>
      <image:caption>The Crucible photo by Chris Bennion // Eight Abigails thumbnail photo by Jenny Peterson</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/the-curse-of-gender-and-empty-promise-of-urbanization-in-modern-day-china</loc>
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    <lastmod>2024-05-05</lastmod>
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      <image:title>Critiques - The Curse of Gender and Empty Promise of Urbanization in Modern-Day China</image:title>
      <image:caption>Photos by John Ulman</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/the-nance-queer-performance-in-unsafe-spaces</loc>
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    <lastmod>2024-05-05</lastmod>
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      <image:title>Critiques - Queer Performance in Unsafe Spaces: The Nance Looks Back at New York Theater's Censorious Past</image:title>
      <image:caption>Photos by John McLellan</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/seattle-repertory-theatre-re-tells-the-black-experience-in-two-trains-running</loc>
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    <lastmod>2024-05-05</lastmod>
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      <image:title>Critiques - Seattle Repertory Theatre Re-tells the Black Experience in Two Trains Running&lt;/em&gt;</image:title>
      <image:caption>Photos by Nate Watters</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/native-american-identity-in-jihae-parks-peerless</loc>
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    <priority>0.5</priority>
    <lastmod>2024-05-05</lastmod>
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      <image:title>Critiques - What We Talk About When We Talk About Blood Quantum: Native American Identity in Jihae Park's Peerless&lt;/em&gt;</image:title>
      <image:caption>Photos by John McLellan</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/politics-again-politics-otherwise-lingering-questions-from-frost-nixon</loc>
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    <priority>0.5</priority>
    <lastmod>2024-05-05</lastmod>
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      <image:caption>Photos by John Ulman</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/ghostly-historical-knowledge-scts-the-journal-of-ben-uchida-citizen-13559</loc>
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    <priority>0.5</priority>
    <lastmod>2024-05-05</lastmod>
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      <image:caption>Photos by Elise Bakketun</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/playful-rebellion-in-the-era-of-trump-ajnc-young-manic-i-wanted-to-be-on-broadway</loc>
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    <priority>0.5</priority>
    <lastmod>2024-05-05</lastmod>
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      <image:caption>Photos by Jazzy Photo</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/intersections-a-celebration-of-seattle-performance</loc>
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    <lastmod>2024-05-05</lastmod>
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      <image:caption>Poster Art by Katy Davis</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/staging-the-immigrant-experience-from-a-womens-perspective</loc>
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    <lastmod>2024-05-05</lastmod>
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      <image:title>Critiques - Staging the Immigrant Experience from a Women's Perspective</image:title>
      <image:caption>Photos by Marcia Davis</image:caption>
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    <loc>https://www.deconstructcollective.com/critiques/discomforting-the-audience-racial-satire-in-artswests-an-octoroon</loc>
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    <priority>0.5</priority>
    <lastmod>2024-05-05</lastmod>
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      <image:caption>Photos by John McLellan</image:caption>
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    <lastmod>2024-05-05</lastmod>
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